Porgy and Mess: Star Wars – The Last Jedi

I finally went to see Star Wars: The Last Jedi this week after waiting it out and trying very hard to avoid internet spoilers.  My patience was rewarded (of sorts) as I went to see it outside of peak hours at the local Guildford Odeon.

ALAS!

Using my Odeon Limitless pass to book the showing was one of the most difficult things I’ve experienced so far during the time I’ve had the subscription.  I wanted to go to an earlier showing, but for some reason, the Odeon’s website was playing up.  I wasn’t able to book the same slot again, or the later slot.  For some reason, Odeon’s website locked off all uses of the Limitless cad and refused to let me use it.

More error codes then there were stars in heaven.

As the Odeon is now very heavily reliant on the website for bookings, the availability of customer service via telephone is rather limited (9am – 4pm Monday – Thursday, 9am – 5pm Friday at all other times).  I was booking this on Friday evening.

What really got my goat was that Odeon does not publish email addresses.  Internet standards are ignored – an email to [email protected] bounced.  This is extremely bad practice, Odeon.  Let me, as a customer, choose how to contact you.  Web forms aren’t always appropriate.

I had to wait until the following morning to call and try and sort this out – and even then, not much could be done.  The system enabled me to book for the later Monday performance, but there wasn’t confirmation that credit I used from an Odeon Gift card to upgrade seating would be refunded immediately.

I popped along to the Odeon on Monday and found this:

As I didn’t use a debit or credit card for this booking, I usually pick up tickets at the Box Office.  So I had to go to the confectionary counter to figure out what was going on.  I was told that the ATM machines can dispense tickets with a booking reference, but it’s not entirely obvious from the choices on display:

Perhaps Odeon needs to reword that third option – just say that if you have a booking reference, you can pick up tickets using that rather than implying it may only be for Tesco and Business Voucher holders.

The third complaint was that it appears Odeon do not sell Butterkist Toffee Popcorn.  I’m not a fan of the sweet or regular flavoured stuff served in buckets the size of my head.  In the end, I chose Aero mint balls and the smallest Coke Zero at the extortionate price of £6.68.  I’ll pay it, however, because I do like the Odeon and would still like to see cinemas remain in business.  But if I had a family, kids and all, this would definitely bankrupt me if we visited regularly.

As for the film?  It was alright.  I think the sooner the main franchise moves away from the Skywalkers, the better.

The day Netflix came to town..

Currently airing on the Netflix, the subscription internet TV streaming service is a title called The End of the F***ing World.  It is an adaptation of a graphic novel and was made by E4 and Netflix.

Sometime in early May 2017, I received the following letter – as did all my neighbours – about upcoming filming on our street.  For me, having worked on a fair number of Hollywood blockbusters in my time (granted, in the post-production sector – though I did do a bit of travelling and got to studios and even set visits on the odd occasion), the whole thing felt surreal.  I blanked out bits to protect phone numbers and locations.

I only started seeing them set-up for the filming on the day itself (one day after my 41st birthday!) as I had to head to work, but the final shots can be seen in the cafe sequence in episode one of The End of The F***ing World in which our two protagonists (or maybe even antagonists – it’s certainly not a black and white situation) are having something to eat – you can see the road I live on (but thankfully not my house) in the background.

As for the show itself?  It’s extremely dark.  Somebody compared it to a really messed up Wes Anderson film.  I kind of thought it felt like Harold & Maude, but except Maude being a teenager and a lot more antagonistic (at least in the beginning).  Whatever you compare it to, the whole thing is a very dark tale.  But it must be said that the performances from the two leads are outstanding, and production values are top notch.

Back to basics!

With the news that practically all modern Intel, AMD (though to a lesser extent) and ARM CPU architectures are vulnerable to attack, it’s time we ditched our fancy pants computers and go straight back to the glory days of 80’s computing prowess:

My beloved (and also very crash prone) ZX Spectrum +2A. Notice the mouse in the right hand corner of the photo…

Or pre-Mac Apple:

I was an Apple fan long before it was fashionable to be so…

I’m very glad I don’t work for a hosting company anymore because I’d hate to have to coordinate and apply the forthcoming patches across a big estate.  That’s not to say I won’t have to do something since my work involves the system management of several large sites and as such, will need to work with the hosting partners to ensure that patching is performed correctly.

At least Apple is on the ball as – allegedly – MacOS already contains mitigation patches in place within the latest release of High Sierra.  Still, the news wouldn’t make me feel any better if I had spent up to £12,500 on a new iMac Pro (which contains Intel’s new Xeon W processors – which I’m guessing are also vulnerable).