.. that Brexit was filmed in Inept-o-vision 3D (a British invention that succeeds Muckitup-o-vision and Halfarsed-o-vision). Here’s a screenshot from a highly exciting scene featuring Michel Barnier talking about stuff.
It was a weekend at the movies. At home.
Sky had kindly stuck a copy of Forrest Gump and Pixels in 4K UHD on their service for us 4K folk to try before they official launch their UHD services. I’ve always loved Forrest Gump, but seeing it in UHD was like watching it in the cinema again. A 35mm film scan to 4k has yielded a superb sharp picture, with glorious colours. This film has never looked or sounded so good. Pixels is another story – wasn’t impressed as much with image quality and that was taken from a 3,4K digital intermediate.
Then there was the Liverpool FC vs Barcelona. Live. In UHD. Alas, I did not see it live, but set the Sky Q Silver box to record it whilst I watched a few other films instead. When I came to watch it, however, I was impressed with the quality of the image. Sports certainly do look better in higher resolution – indeed, Japan’s NHK is filming this year’s Olympics in Rio in 8K. It requires a $125,000 TV to watch it, and it’ll be probably be obsolete in a years time, but hey, it’s technology. It’s also being broadcast in select theatres in Japan at full 8K res for those without a burning hole in their pockets.
Meanwhile, on Amazon Prime (my replacement to iTunes), I rented a few movies.
Anomalisa – directed by Charlie Kaufman & Duke Johnson.
Kaufman is a wonderful filmmaker whose oddball and provocative (yet thoughtful) films are a great inspiration. Being John Malkovich was the first really odd film that caught my attention. Adaptation in which Nicolas Cage plays twin versions of Kaufman himself was utterly insane. Synecdoche, New York, with Phillip Seymour-Hoffman, took all of that and ran through the streets naked before diving into a teapot of jelly.
Anomalisa’s overall atmosphere reminds me that of Being John Malkovich meets Lost In Translation. It was made using stop animation with some of the most expressive puppets I’ve ever seen on film. They’re so good, there’s a sex scene which took Duke Johnson and his animators SIX months to animate – because they wanted to do it properly. The film stars David Thewlis as Michael Stone, a highly successful customer service/motivational speaker who stays overnight at the hotel Fregoli in Cincinnati, Ohio, before speaking at a conference the next day. While he’s there, he calls up an old flame which, as you may imagine, doesn’t go at all well. He eventually meets two women attending the same conference, one of them is Lisa, an insecure young woman.
I should point out that other than Michael and Lisa, everybody else is voiced by character actor Tom Noonan. He plays absolutely everybody else – from waitresses, Lisa’s friend, Michael’s wife and son, their friends, the hotel manager, all the secretaries – everyone. The reason for this is that Michael is depressed. He perceives everybody around him – apart from Lisa – as identical white men with the same faces and voices .
All in all, this is a very strange film. I enjoyed it a lot more than I thought I would, and I think it’s worth tracking down on Blu-Ray when the price is right. Technically one of the best films I’ve seen. Kudous to everybody involved in making it.
Trumbo – directed by Jay Roach
This is the first non-comedy film for Roach, whose previous works include the likes of Austin Powers, Meet the Parents/Fockers, Dinner for Schmucks, etc. And it’s a blinder of a film. I would have to say that this has fast become one of my favourite films of all time. I love biopics, and this is definitely one of the best I’ve seen. In part, perhaps, due to the excellent and strong casting, including Bryan “Breaking Bad” Cranston in the role of Dalton Trumbo, Louis C.K. as Arlan Hird, and Alan Tudyk as Ian McLellan Hunter.
Trumbo concentrates on the part of Dalton Trumbo’s life that concerns his blacklisting in Hollywood thanks to the McCarthy hearings (the House of Un-American Activities). The USA was exceptionally paranoid during the height of the Cold War, and if you were suspected of being a communist, you’d go to jail. Many people lost their jobs, families and even their lives during this time, and this film brings home just how horrific it was.
That’s not to say it’s all doom and gloom. Trumbo is punctuated with humour throughout, and what makes this film so good are the performances. We get to see the relationship Trumbo had with Edward G. Robinson: Robinson ratted out Trumbo in the end, albeit not before handing Trumbo a massive cheque to fund his defence; after everything blew over, Trumbo paid Robinson back, with their friendship now ended. Of continuing to write scripts whilst blacklisted and using false identities to cover himself up. During this period, his script ‘Roman Holiday’ went on to win an Oscar – albeit for Ian McLellan Hunter who was persuaded by Trumbo to take the credit. Many years later, the Academy would hand Trumbo’s widow a new Oscar with the corrected credit.
As we know (well, I didn’t actually), Otto Preminger saw Trumbo and got him to write Spartacus. This would be the first time since the blacklist that Trumbo’s name was restored to his work.
A truly wonderful film. Oscar and BAFTA nominated in its own right, but didn’t win, it’s still a very worthy contender for your time. I’ll be buying the Blu-Ray – this one’s a keeper.
Hail, Caesar! – directed by the Coen Brothers
Set in a spookily similar period and surroundings to that of Trumbo, this fictionalised comedy drama about real-life studio fixer Eddie Mannix sees the big star of a forthcoming big budget Roman epic motion picture kidnapped by a group of communist writers who demand $10,000 in cash. Or else! As Mannix deals with this crisis, he’s also dealing with a Western star that’s been shoehorned into an upmarket period piece, gossip columnist twins (both played by Tilda Swinton), and other diversions (including contemplating a very generous offer of new employment from Lockheed).
Hail, Caesar! is a great farce, but ultimately it doesn’t really go anywhere. Quite unsatisfying as a story.
The Good Dinosaur – directed by Peter Sohn
In the same year that Pixar released Inside Out, The Good Dinosaur feels more like a bonus side-attraction rather than a fully fledged feature. But what there made me cry like a little baby at the end, as do most Pixar (and Studio Ghibli) films. Pixar are experts in the art of storytelling combining up-to-date technology, and even if it’s not their best film to date, it’s nevertheless heartwarming and technically brilliant.
High Rise – directed by Ben Wheatley
I was really looking forward to this adaptation of J. G. Ballad’s science fiction novel. I do like a bit of dystopian future, me. But I found that I couldn’t stomach this film at all. It’s horribly depressing, the characters completely unrelatable, and even the plot seems to be disjointed. I gave up a third of the way through the film.
Kung Fu Panda 3 – directed by Jennifer Yu Nelson & Alessandro Carloni
A good few years ago, back when I was married, we were looking to adopt from China. We went as a far as volunteering for an NGO outside of Beijing where we got to help look after children who were being prepared for international adoption. But as for the adoption itself? It never happened – for many reasons. But I still have an interest in the entire adoption process, and I’ve found the Kung Fu Panda movies to be one of the best at explaining and looking at adoption in a very positive light. In fact, there were a few times in Kung Fu Panda 3 where I broke down and cried. I can’t tell you how well this handles a very sensitive topic. But adoption aside, this is a fantastic film that manages to keep the momentum of the franchise going nicely. We meet old friends and new, and the background artwork (principally produced by Oriental Dreamworks) is fantastic. It’s perhaps the first major collaboration between a US and Chinese film studio and the result is something that’s very special indeed.
Batman v Superman: Dawn of the Justice League – directed by Zak Snyder
Haven’t gotten around to finishing this one as it’s THREE hours long. And boy, do you feel every minute with this one! That said, what I’ve seen so far makes sense, but I’m just not sure whether this needs to be the War & Peace of DC films. What I will say is that the UHD works very well – worth the investment.
And what can we learn from these films? That I should avoid any cartoons or family films, because I’m likely to blub. Already 40, I appear to be turning into an emotional wreck. On the other hand, you could say that as storytellers, the filmmakers have done a superb job – if you’re that engrossed that you can empathise with a character or characters, it must be good! Or maybe not. I don’t know.
Coming up: Finding Dory (cinema), The Suicide Squad (cinema), In Bruges, Whitnail and I, The Man from UNCLE (Guy Ritchie version), Labyrinth, Deadpool UHD, The Room.