The Art of The Dark Crystal: Age of Resistance Exhibition, BFI Southbank
I’ve had a very pleasant day out in South London along the Southbank visiting the BFI Southbank for the Netflix exhibition of The Art of The Dark Crystal: Age of Resistance. It was a chance to get up close and personal with the puppets (or at least sculptures/poseable versions) and learn a bit more about the production.
I’m hoping to attend a screening of the first episode along with a Q&A with Louise Gold on Monday.
It really was quite extraordinary to see the attention to detail that’s gone into these puppets, and as you can see from the many photos, the world of Thra is an incredible place. Even if it has phallic mushrooms/plants. With teeth. Ooer-missus.
Ordinarily, Netflix requires that you remain indoors, slumped all over the couch and binge-watch all their TV shows and films which took forever and a day to make, only to be consumed in mere hours.
This Saturday (and Bank Holiday Monday), Netflix is making me (well, they’re not – but the tickets are free) take the train up to London’s South Bank to attend a limited exhibition of art, scenery and puppets from their forthcoming series: The Dark Crystal: Age of Resistance.
I’ve been a huge fan of Jim Henson since I can remember, and The Dark Crystal (along with Labyrinth) was a major departure from the craziness of The Muppets. Featuring state of the art puppetry for the time, The Dark Crystal featured absolutely no humans – only spectacularly crafted puppets. It was also dark in tone. I remember when the emperor Skeksis dies – not only did it feature a jump scare, but the crumbling away of his flesh terrified me as a kid. There was nothing quite like it. And although the film floundered at the box office originally, it’s become a cult favourite since its release on home platforms.
There was the talk of a sequel for many years, but nothing ever materialised in the form of a TV or film. Ultimately the sequel became a graphic novel. But the talk of producing something relating to The Dark Crystal carried on. And now we have a prequel which tells the story of the Gelfling uprising against the evil Skeksis in a mini-series which will be airing on Netflix on the 30th August.
So I had to jump at the chance at being able to see the artwork and puppets. On Bank Holiday Monday, Louise Gold, one of the original members of The Muppet Show, a talented puppeteer, actress and singer, will be giving a talk during the screening of the first episode of Age of Resistance.
I’ll be filing my report as soon as I can. Hoping to come away with plenty of photos (and possibly video).
Later this month, I’ll be attending a special book launch for the biography of Ronnie Le Drew, a professional puppeteer who has worked extensively in the TV, film and theatre industries.
For my whole life, I’ve always been interested in puppets and puppetry. I grew up with the likes of Zippy, Bungle, and George. Sooty, Sweep and Soo. Rod Hull and Emu. Basil Brush, Roland Rat, and many more besides. The Muppets were a big thing in our household too (if only I could find the photo of me and my cousins sitting around the TV watching The Muppet Show – it was the most 80’s photo you could ever imagine thanks to our tracksuits and furniture coverings).
When I was older, I wanted to work for the Jim Henson Creature Shop helping design and build the computer performance systems that powered some of their most advanced animatronic creations. I didn’t particularly want to be a puppeteer so much, though this photo suggests otherwise:
The irony was that I’d end up working for a visual effects company that would replace traditional puppets with all-CG versions – this was the case for the film Ella Enchanted in which Heston the Snake was originally going to be a practical puppet, but was instead entirely CG (and voiced by Steve Coogan).
But nevertheless, I still love the art of puppetry and the people behind the performance. I’ve already had the great privilege to meet Louise Gold about 20 years ago, who was an active member of Jim Henson’s Muppet performers during the time The Muppet Show was being recorded in England. She’s an extraordinary all-around performer and was most recently seen in Fiddler on the Roof in the West End.
So it’ll be nice to meet Ronnie and fellow fans at the launch of his new book in a few weeks time. I already have a copy of the book in Kindle format, but I’m going to wait a bit before reading because a good book is like a good wine. Best enjoyed slowly.