I’ve bought hook, line and sinker into the Marvel Cinematic Universe (MCU) ever since Iron Man was first released back in 2008. And Disney has done exceedingly well with their $4 billion acquisition. Recent profits have suggested they’ve made over $18 billion over the past 11 years.
I’ve generally enjoyed all the films – and watched most of them at the cinema – but time and work usually gets in the way of getting the best cinema experience, so I’ve seen a few at home. I, unfortunately, missed out on Avengers: Endgame – the much-anticipated sequel to Avengers: Infinity Wars which I did see in the cinema. I’ve been trying to avoid spoilers like the plague, and Disney/Marvel has yet to re-release the film in UK cinemas before the UK digital home release on the 19th August (alleged date). It is, of course, available on US digital home release. Disney, an avid tax credits collector when filming in the UK, puts us Brits in second place as they usually do.
So it’s kind of made things like the SDCC (San Diego Comic-Con) announcements a massive no-no in terms of news. While I appreciate that distribution windows are set to maximise bums on seats and profits (see my interview with Jane Goldman about this), trying to avoid spoilers in a country with a different release schedule is a massive pain in the arse! Disney can and should do better.
But at least Marvel has released Captain Marvel which helps fill in a few gaps between Avengers: Infinity Wars and Avengers: Endgame. It also introduces us to a young Nick Fury who, up until the events in this film, had never encountered an extraterrestrial before.
Captain Marvel is a fun film – much in the vein of Guardians of the Galaxy or even the recent Thor: Ragnarok. And you can’t be mad at a film in which does something very unusual with a lovable feline during the end battle. It’s also a sad film. Stan Lee passed away during editing, so Marvel’s usual opening logo features images of Stan during his regular cameos and some behind the scenes stuff before fading to black with the words centred in the middle of the screen:
THANK YOU STAN
Indeed, thank you, Stan. And thank you, Steve Ditko. And thank you Jack Kirby and all the others that worked with Stan to produce some of the finest characters and storylines in comics history. Without Stan Lee, we wouldn’t have these movies. And speaking more of Stan, he’s here in cameo form albeit during a period in which he was starting to become seriously unwell – sitting on a train and reading the script to Kevin Smith’s Mallrats (in which he has a small, but important role). It’s a lovely nod to both Stan – and indeed Kevin.
Brie Larson makes a marvellous Captain Marvel, and with a sequel announced (it’s been very difficult to ignore SDCC announcements), the universe is in good hands.
What I don’t understand is why so many people – mainly men – that were so bitter towards Captain Marvel (to the extent that Rotten Tomatoes, the review aggregator) had to step in and remove a substantial number of bitter reviews. I’m definitely seeing a trend in fandom where toxic elements are trying very hard to spoil things for all.
This weekend was spent rewatching all 8 Harry Potter films. It’s nearly the 20th anniversary of the very first film, and I came onboard at MPC during the second film, the Chamber of Secrets when I was a mere pup of 26.
I own all 8 films on both Blu-Ray (HD only) and iTunes (4K). I bought both because I spent many of my 6 years working at MPC working on a Harry Potter film – in fact, I can’t remember a time when something relating to Harry Potter wasn’t happening. I went to Leavesden Studios a few times to set-up or remove kit too. One time I even had a bite to eat at the Warner Bros. café, sitting outside and looking at the scaffolding that made up half of the Dursley’s house in Little Whinging, Surrey.
Growing up, the film that got my imagination going most of all was, of course, Star Wars. It was a film primarily aimed at kids, so it wasn’t difficult to get into or enjoy when I was 3 or 4. Harry Potter was very much a series that starts off as a tale for younger kids, but the story grows with them – as do the characters. Star Wars is difficult to place in this regard- these days it’s still very much a PG thing (and so repetitive to boot), whereas the last three films in the Harry Potter series are quite a bit more dark & violent.
As I made my way through the films, it’s intriguing to see the stars of the film grow up as well with each film. The storyline is compelling, and the characters are believable and relatable, even if it’s set in a fantasy world of wizards and witches and other supernatural delights. Hermione, in particular, is the kind of friend everyone should have. She does tend to put up with a lot of shit throughout the entire story, so how she remains sane by the end of it is anybody’s guess (the same could be said of Harry and Ron, though).
Harry Potter is essentially the story of three best friends, along with a vast array of weird and wonderful supporting characters, fighting the return of a dark lord whilst simultaneously attending school and learning the very skills to be able to defeat him. It’s very impressive. J. K. Rowling sets up her ducks in a row with each film (or book) and then presses the FIRE button when it needs to be pressed. She’s not frightened to put her characters in very dark, very risky situations. And not everybody makes it through.
The Prisoner of Azkaban resonates with me a bit because we had a massive model of the werewolf Professor Lupin turns into towards the end of the film in the office. And it had a removable head. And people would wear it like a hat – just because. That said, The Chamber of Secrets was the first film I got my hands dirty with, especially figuring out the ins and outs of the VPN system WB had set-up (against a 512Kbs ADSL line at Leavesden – but thankfully it got better with subsequent films) and other VFX infrastructure matters.
I also went along to Shepperton Studios during Azkaban’s production, though it was for another film called Wimbledon. Somewhat ironic, don’t you think, that many years later I’d be working IN Wimbledon. Anyway, on my way to the office at Shepperton Studios, I came across the trailers for David Thewlis (who plays Professor Lupin) and IIRC, Professor Snape (Alan Rickman). But even more interesting was this monstrosity poking out the top of one of Shepperton’s sound stages:
It was all good fun (except I got told off for replacing a broken PC on Wimbledon when the resource manager was away – yet the artist working at the studio had to use SOMETHING and that was the only machine I had listed as a spare – I’m glad to be out of VFX because it was things like that which drove me nuts).
Anyway, it was late on Sunday when I finished all 8 movies. I felt sad because we followed the fortunes and misfortunes of a group of plucky youngsters who risked a lot to get where they were, and now we were going our separate ways. Nearly 10 years in the making. And I was also sad because without J. K. Rowling, and as such without Harry Potter, the British film industry would probably not have had such a resurgence between 2000-2010. VFX companies sprung up around Potter. But within that was darkness.
During the Order of the Phoenix, Warner Bros. essentially made an ultimatum – give us more tax credits or we’ll move to Eastern Europe. It must have been a big deal because when the managing director sends every employee an email that wishes the PM (either Gordon Brown or Tony Blair at the time) would increase tax incentives for the studios, it makes you wonder about whether you’re going to have a job later down the road.
And it’s that reason why I feel that we must do something to get away from tax incentives for major US film studios and move to something fairer for the taxpayer. Fairer for VFX vendors. Stop the race to the bottom, and stop the displacement this causes. Besides, these kinds of incentives can lead to tax dodgers (Just “Google” the following: HRMC film tax fraud). State handouts to corporations, especially the film industry, need better management.
Nevertheless, Harry Potter remains one of the most beloved characters and stories this country has produced. And the films are just wonderful. Here’s to another 20 years (but please – no enhancing VFX like Star Wars did).
This year’s WWDC keynote was packed to the gills with a slew of announcements relating to upcoming software features in Apple’s range of products, including the Apple Watch, iPhone, iPad, and Mac. Additionally, the company also announced a whole new redesign of the Mac Pro, a new high-end monitor, and $1,000 monitor stand (I kid you not).
Apple has a rebranding/versioning problem
The iPad is getting a whole new slew of feature enhancements that won’t be found on the iPhone, to the extent that Apple is now referring to the version of iOS for iPad as iPadOS. This now gives us the following OS derivatives based on the Mach kernel/FreeBSD from which OS X originally came from:
MacOS – for Mac desktop and laptop operating systems
iPadOS – for iPads
WatchOS – for the Apple Watch
tvOS – for Apple TV HD and Apple TV 4K
iOS – for iPhones
So why doesn’t Apple rename iOS to iPhoneOS to identify the operating system specifically for iPhones? I don’t know. I’m assuming iPadOS will be referred to version 13, the same as iOS rather than iPadOS 1. If Apple did change iOS to iPhoneOS, it’d still be version 13 too. Only WatchOS has had significant changes to the version number since it was first released. We’re currently on major version 5, but for iOS and tvOS it’s version 12. For MacOS it’s 10.14. Even I’m finding it difficult to keep up.
Goodbye iTunes – so long, and thanks for all the fish
I’ve been a heavy iTunes user since.. well .. since Winamp died. I migrated over to the iTunes platform on Windows initially long before I had my first Mac, and haven’t looked back since. I’ve tried to leave the iTunes ecosystem a few times, but quite frankly it’s very difficult – particularly because the integration and feature set is very good. The downside is that iTunes has been enormously clunky for quite some time.
So Apple is splitting out music, video and podcasts into three separate applications for the next release of MacOS (called Catalina). This makes sense. I’m an Apple Music subscriber and find that the iCloud Music Library to be extremely useful to sync my own tracks across my iPhone XS Max and Apple Watch series 4. The iTunes store will still be there if I do want to purchase tracks or albums, or movies or TV shows.
The Mac to get 4K movie playback
Apple TV on the Mac will also play 4K content (since many modern iMacs will have 4K or 5K displays) and Dolby Atmos content. It’s no longer limited to Apple TV HD/4K devices. However, my biggest disappointment with Apple in this regard is that iTunes is still not offering 4K television shows for sale. Or TV shows with iTunes Extras content. I feel that Apple’s upcoming video streaming service, Apple TV+, may have had an effect on that. If UHD Blu-Ray content is on the way out, we need a better alternative to just streaming services. People want to buy, download and keep. And they want the extras that come with physical discs.
Apple to stop BASHing MacOS and wants to zig-a-zig-zsh
Apple is, for whatever reason, not a fan of GNU v3 General Public License. As such, the version of the bash interpreter included with MacOS is a little out of date. The zsh shell is more modern, largely backwards compatible with bash and is, in theory, a better option. That said, a good amount of what I do involves bash, so I doubt I’ll be changing over anytime soon.
You’ll be able to use your iPad as a second screen with MacOS Catalina
Something that I look forward to using. The new version of MacOS Catalina will allow users with a modern iPad or iPad Pro as a second screen – with the added bonus that if you have an Apple Pencil, you can use something like Photoshop to sketch on the iPad and it’ll appear on your Mac.
iPadOS will make the iPad more computer-like like never before
Apple has been pushing the iPad and iPad Pro as fully fledged computers. The problem with that is that even with a physical keyboard, key features of the operating system are still incredibly limited.
As well as a new home screen with access to widgets in horizontal view, the icons are now more tightly packed together – allowing more icons per screen. There are new gestures to make it easier to select, copy and paste text – and the cursor should be much easier to reposition.
And you’ll finally be allowed to use a mouse with an iPad! Though it forms part of the accessibility features and effectively emulates fingers – thus it won’t be the same as if you were using MacOS. But I think the new gestures and cursor control should help a bit.
The biggest change is that you’ll be able to plug in a USB hard drive or thumb drive and copy data to and from the iPad like any other file. It’s been mentioned that Apple formatted HPFS+ volumes don’t yet work (which would be silly if you also have a Mac), but may change during the beta/development process.
The iPad will also be able to connect to network shares as well – also offering a way of pulling data into and out of the iPad over the network.
Access to files via USB drive or network drive makes me wonder what would happen if the iPhone XI models ship with USB-C ports instead of lightning ports. It would be a tremendous benefit to have USB-C on the iPhone, but it did, would the Files app also support the use of hard drives and thumb drives as well? And are the other features sufficient to rename iOS on the iPad as iPadOS in that case?
Safari, the default web browser on iPadOS, will be able to use the desktop versions of web sites. Previously this was not possible as Safari always identified itself as a mobile browser, and the web site/app would deliver a mobile-friendly version. It’s not clear whether this will be the default option, or if other browsers such as Chrome will follow suit as it will mean changing the browser identification string. Something I’ll need to bear in mind for work!
In short – iPadOS has more features in it to make an iPad last a good many years as a laptop computer. It’ll always be a locked system, but Apple have opened it up a little more in what it can do that will make it a more attractive option to those on the move.
iPhone users also have a few tweaks to look forward to
I’m so looking forward to disabling limits on the size of app downloads. I have a very generous data allowance with my phone provider, and few humongous apps. But that’s not all – it’s said that apps will launch twice as fast and be half the size. Some serious optimisation work going on there!
I’m definitely looking forward to the new dark mode, and even more so – I like the look of the new Photos app. I use Photos and the iCloud Photo Library a lot across all my Apple devices, so it’ll be interesting to play around with the new features there. Already loving the new layout and can’t wait to start using it.
Pro Macs and Displays
With potential costs of up to $35,000 for a fully tricked out Mac Pro, and the displays costing around $6k including the monitor stand, the new Mac Pro is going to be something for companies or individuals with very deep pockets. The performance will be phenomenal, but it will require substantial effort from developers to make use of those performance enhancements.
VFX, for example, has generally relied heavily on NVIDIA graphics technology – as has anything with big computational needs. That said, when I was working back in VFX, Macs were primarily used for 2D Photoshop work (working with giant size textures).
I think the Apple ProDisplay will do much better in terms of sales – the specifications alone are going to be very tempting for anybody that requires great colour accuracy. And cost point of those monitors – even with the stand – is considerably cheaper than other manufacturers.
Another question that I have is that if Apple is intending to switch from Intel to their own ARM silicon in the future – how far ahead is this, and what about people who have spent tens of thousands of pounds/dollars on these systems only to find that we’re going to be in the middle of another architecture change in 2-3 years time. That’s a very difficult question to answer right now, but I believe Apple *will* do it at some point. Given the number of speculative vulnerabilities that are cropping up in Intel CPUs, people (and Apple) are going to be fed up with Intel.
(*) From the Adult Sim cartoon series, Rick & Morty. “Wubba lubba dub dub” was Rick’s catchphrase.
With the news that Samsung intends to stop making any more Blu-Ray players, people are wondering whether this is a signal that physical media is gradually coming to an end, particularly with streaming and catch-up services becoming more and more popular. Netflix titles will forever remain on Netflix, right? Providing that you keep paying the subscription?
I would argue that the world still needs physical media. Film and TV studios still haven’t assured consumers that content they buy wholly digitally will remain with them for the rest of the lives (and beyond), and that you can play them in a format that is reasonably open and fair. I can vouch that this is a legitimate worry – I had bought a fair number of titles from the BBC Store when it was alive and well, and even then there was a very big problem:
Access to the BBC Store content was a mixed bag. If I recall correctly, you (eventually) had to use a dedicated BBC Store app. BBC iPlayer apps across different platforms could access it, but for the most part, I couldn’t view the content on my LG TV or any other device that directly connected to my TV. I couldn’t cast content to the TV unless I had a Chromecast. Which I didn’t. I’m pretty sure the platform was more open at the beginning and then slowly killed itself by limiting itself to certain platforms.
By the time BBC Store had decided to shut up shop, at least the BBC had the good grace to provide a refund or voucher for use with a rival service. But this didn’t make up for the fact that not all of the content was available elsewhere. Had I bought the content on DVD or Blu-Ray (albeit for a more substantial price), this situation would never have occurred.
Another indication that physical media is being looked over is that TV companies are seeming not bothering to make Blu-Ray versions available of their TV show season boxsets. Fox, or as I like to call them, 18th Century Dodo (because they are nearly always stuck in the past) released the first season of their excellent sci-fi/comedy series, The Orville, on DVD only despite broadcasting in HD. DVD is not high definition. Why on earth would anybody want to buy something that’s lower quality than what was originally broadcast?
Channel 4 has done the same with a season 1-4 boxet of their excellent comedy, Catastrophe. Yet you can stream it via HD and buy it in HD on services like iTunes. But there is no Blu-Ray release. Neither is there a Blu-Ray release for Danny Baker’s Cradle to Grave. A DVD release, yes, but if you want HD, you’ll need to buy it digitally from iTunes.
Now let’s talk about iTunes for a moment. It’s by far the best ecosystem for non-physical media if you like movies. Not so much for TV programs. iTunes offers movies (many of which now come in 4K resolution – albeit if streamed via an Apple TV – no 4K on Mac, iPad or iPhone) that come with the kind of extras that you’d see on physical media such as behind-the-scenes documentaries and audio commentaries. iTunes for TV shows rarely does this – if at all. The only TV show I have bought on iTunes which come with extras and audio commentaries was Breaking Bad – the Deluxe Edition (seasons 1-6), and even that was problematic. I had to disable Dolby Surround to listen to the episodes which have audio commentaries. You can only listen to them when the audio output is set to Stereo. This is not a problem for iTunes movies which set the correct audio channel through the use of a special menu which comes with the movie.
But even after all that, you’re still not guaranteed that the movies or TV shows that you’ve bought through iTunes are yours to keep forever. There is always the chance that a studio or broadcaster could remove their content from the store, and thus your library. A similar situation to Amzon’s Kindle books (which has happened, BTW). And this situation can apply to any digital movie or TV show retailer. There is nothing in the terms and conditions to stop a company from removing content from your virtual library. And nothing to say that you wouldn’t be compensated, either.
So if digital media is on the rise, it seems that it’s because we like the convenience. For me, this is true. I DO like the convenience it offers – especially iTunes. I can stream to my TV, iPad and iPhone without faffing around too much. I have over 348 movies on iTunes along with a few TV shows that I’d like to watch from the iPad or iPhone if I’m travelling. So I am heavily invested in it. But I’m equally invested in physical media too. I have an UltraHD 4K player from Sony which I think is marvellous. I have an extensive collection of Blu-Ray, UltraHD 4K Blu-Ray and DVDs. Some of which cannot be purchased digitally (Studio Ghibli is one such company which has never released its content on iTunes, for example). I did have an Oppo 203 UltraHD Blu-Ray player which was discontinued as they were moving away from the audio-visual industry. It was the leading 4K Blu-Ray player of it’s time, winning many awards.
But it’s disheartening that TV studios – and maybe even some film studios – don’t seem to care about what the consumer wants. I understand that mastering and duplication of physical media is expensive. But the consumer deserves a choice. A choice I didn’t have when HBO’s Silicon Valley stopped being made available via Amazon on Blu-Ray. DVD only. I had collected seasons 1 and 2 on Blu-Ray, and now future seasons weren’t going to be available in the definition that I want? Outrageous.
What I don’t understand is that it is easier to rip the likes of DVDs than Blu-Rays – they don’t take up much space. So why hasn’t efforts been made to phase out DVDs and replace them with Blu-Rays? Much effort has gone to publicise Blu-Ray as a superior quality format. It’s backwards compatible with DVD, so people’s collections will continue to work. Is it case that people don’t really care about resolution or quality? Why bother with 4K at all in that case? Should we just laugh at 8K and future resolution updates?
Are we in the battle of VHS versus betamax again? It sure as hell feels like it at times. In any event, I express my bitter disappointment at the likes of 18th Century Dodo (Fox), Channel 4 and HBO for their decision to release content on DVD only. I doubt they will be the last to do so, but one can hope the industry gives itself a bit of a kick up the arse to show commitment to all formats. I despise piracy, but I know that piracy isn’t going to stop regardless of whatever efforts are made. But if the TV and film studios don’t do something, the pirates are not only going to give people what they want, in the format that they want, but they’ll probably do a better job at presentation too.