The Art of The Dark Crystal: Age of Resistance Exhibition, BFI Southbank

I’ve had a very pleasant day out in South London along the Southbank visiting the BFI Southbank for the Netflix exhibition of The Art of The Dark Crystal: Age of Resistance. It was a chance to get up close and personal with the puppets (or at least sculptures/poseable versions) and learn a bit more about the production.

I’m hoping to attend a screening of the first episode along with a Q&A with Louise Gold on Monday.

It really was quite extraordinary to see the attention to detail that’s gone into these puppets, and as you can see from the many photos, the world of Thra is an incredible place. Even if it has phallic mushrooms/plants. With teeth. Ooer-missus.

Everything above was shot on an iPhone XS Max.

Later this month, I’ll be attending a special book launch for the biography of Ronnie Le Drew, a professional puppeteer who has worked extensively in the TV, film and theatre industries.

For my whole life, I’ve always been interested in puppets and puppetry. I grew up with the likes of Zippy, Bungle, and George. Sooty, Sweep and Soo. Rod Hull and Emu. Basil Brush, Roland Rat, and many more besides. The Muppets were a big thing in our household too (if only I could find the photo of me and my cousins sitting around the TV watching The Muppet Show – it was the most 80’s photo you could ever imagine thanks to our tracksuits and furniture coverings).

When I was older, I wanted to work for the Jim Henson Creature Shop helping design and build the computer performance systems that powered some of their most advanced animatronic creations. I didn’t particularly want to be a puppeteer so much, though this photo suggests otherwise:

A Young Blofeld welcomes Mr. Bond whilst petting his vicious Emu
Signed DVD from Frank Oz (Miss Piggy, Fozzy Bear, and also a damn good director)

The irony was that I’d end up working for a visual effects company that would replace traditional puppets with all-CG versions – this was the case for the film Ella Enchanted in which Heston the Snake was originally going to be a practical puppet, but was instead entirely CG (and voiced by Steve Coogan).

But nevertheless, I still love the art of puppetry and the people behind the performance. I’ve already had the great privilege to meet Louise Gold about 20 years ago, who was an active member of Jim Henson’s Muppet performers during the time The Muppet Show was being recorded in England. She’s an extraordinary all-around performer and was most recently seen in Fiddler on the Roof in the West End.

So it’ll be nice to meet Ronnie and fellow fans at the launch of his new book in a few weeks time. I already have a copy of the book in Kindle format, but I’m going to wait a bit before reading because a good book is like a good wine. Best enjoyed slowly.

Zippy and Me: My Life Inside Britain’s Most Infamous Puppet can be pre-ordered via Amazon.co.uk.

Meanwhile, Ronnie’s antics as Zippy can be found in this infamous not-for-public (whoops) video:

And there’s also this 23 minute documentary about Ronnie on his career: