I’m continuing to enjoy using my Google Pixel 2 XL phone. It is quite the beast. I love almost everything about it – including Android. Took me a few days to get used to how Android deals with things, but one the adjustment period is over – it comes naturally. I do still kind of miss having a front fingerprint scanner – I do keep putting my finger over the camera flash from time to time, but I’m sure muscle memory will eventually kick in.
But what I really love about this phone is the camera. It truly is best in class despite only having a single lens. Google’s computational photography outdoes Apple considerably. The Google Photos service is also a remarkable thing – far better in many ways than iCloud Photo Library – though I do wish Google would maintain up-to-date support for the latest camera RAW formats as my Sony RX100 mark V isn’t supported and I can’t upload my RAW images. Otherwise, Google Photos for me has been the best experience in managing and organising photos since the Apple Photos app. I can download the whole lot via Google Takeaway – though I’d also appreciate some form of API so that I can plug in another cloud service (thinking Backblaze B2) to back up all photos on the fly. One cannot escape the cloud these days!
The photos are good enough, IMHO, to leave the proper camera at home. I’m very happy with the quality that Google brings to the table. When the Pixel 3 XL comes out, I’m sure it’ll be even better.
Interestingly enough, I’ve been going through my photos that are now stored in Google Photos and it’s interesting to note that after the iPhone 6S, the (mainly Samsung) Android phones that I have had produced much better imagery than the iPhone 7, iPhone 7S and even the iPhone X! At least to my eye. There’s something that Apple did from the iPhone 6S onwards that seems to have resulted in “painting like” imagery when cropped at 100%.
Getting back to the phone itself, customising ringtones is dead simple to do on this phone – unlike iOS where you have to jump through a number of loops beforehand. I also really like notifications – though a bit in-your-face at first, they are highly customisable and I like that one can easily copy codes from SMSes or reply/acknowledge direct from the notification centre.
Google really make use of the bigger screen resolution to fit more icons on, and this also means that apps such as Authy allow me to cram as many 2FA sites on there than I could with the iPhone X.
Apple Music on Android is a bit of a pain, however. It can often just open, sitting there with a blank screen until I click the pull-down menu and fuss about with it. Then there is the issue that it doesn’t seem to recognise purchased content which IS still available in the UK iTune store and is also downloaded to the phone:
Apple still has much to learn about co-operating with other platforms.
I regret nothing switching to the Pixel 2 XL. Bring on the Pixel 3 XL later this year. Unless Apple really pull something out their sleeve…
The biggest problem with Apple’s ecosystem (aka the luxury prison) is that it doesn’t tend to work well with others. I’ve been scratching my head over how to integrate iCloud Photo Library with Windows properly, but it is slow and a pain in the arse to use under Windows. I don’t want to use iTunes to connect my phone to the computer – a straightforward USB to use-as-a-disk is fine. The iPhone X did not let me do that.
The Google Pixel 2 XL has been receiving many rave reviews over the past few months. It’s stock Android which means that there is no bloat from the phone manufacturer or telecoms company, and it receives the very latest security updates ASAP as well as the latest feature updates too. And you know where you stand with their update policy – this phone is supported up until late 2020. Apple seems to keep moving things forwards and backwards and forwards with their support lifecycle for various products.
Now, I picked up my Google Pixel 2 XL at a bargain price. Carphone Warehouse had knocked off a good £170 off the RRP, so I decided to go with them. I also bought a Google Home Mini to replace the Apple Homepod. I’ve got to say, Google has absolutely nailed it with the home assistant. Not only is she responsive, but the response is natural and quick. For example, when I ask how best to get to Woking, she tells me the correct bus number to take, when the next bus is, and the nearest stop. And as it integrates with various smart related technologies around the home, it Just Works(TM). I always found the Apple HomeKit system to be far too overly complex to operate. The UI is a mess, and Siri has to think about things before responding.
The Pixel 2 XL itself is great. The images it takes are the sharpest of any smartphone I’ve ever used, and even some compact cameras.
The device is larger than the iPhone X, and also offers a greater number of app icons to be shown on screen at once. All apps I’ve had on the iPhone are available under Android. It took about 2 hours to transfer everything and set-up the phone as new (never trusted these transfer processes). Instead of Apple Pay, there is now Google Pay. Again, same support from the banks and credit card companies.
Gone is Face ID and replaced with a fingerprint scanner again. This time around the back. Its placement feels natural enough and makes looking at the phone at 3am in the morning much easier than trying to get Face ID to recognise you with your face against the pillow.
Another change Apple made without telling anybody is Wi-Fi calling. Thanks to the hoo-hah over batterygate and Apple slowing down older phones whose battery is wearing out, they made a change to Wi-Fi Calling which meant that Wi-Fi Calling on iPhones will use cellular if it’s strong enough and fallback to Wi-Fi Calling if not. There is no way of overriding this. On the Google Pixel 2 XL, this works full time if you’re connected to a Wi-Fi network regardless of cellular signal strength and you enable Wi-Fi Calling.
But what about the Apple Watch? I’ve replaced it with a Fitbit Versa. This looks to be a device formed from the assimilation of the Pebble watch team. It’s a lightweight watch that incorporates the usual fitness tracking. But it works with both Android and iOS, and unlike the Apple Watch has a battery life of up to 4 days between charges. So far it’s been great – though the Fitbit app is rather confusing. The GPS connection warning started up immediately even though I wasn’t exercising, and I couldn’t figure it out, though it seems that it has something to do with the Always Connected versus All-Day Sync option.
The Fitbit Versa’s wrist straps are relatively straight forward to change. I had to swap out the smaller strap for the included larger one, but to do this requires fiddling about with pins in the straps. I managed to cause my fingernails to bleed when applying pressure to the pin heads.
Last weekend I went to the local Odeon – the one where I had a lot of fun collecting tickets from an online booking for Star Wars: The Last Jedi.
While I initially booked The Shape of Water without any difficulty, I decided, while I was having a coffee at Costa coffee at Guildford station, to book to see the much-hyped Black Panther afterwards. I got my phone out and attempted to make the booking, except, well, I’ll let the screenshots speak for themselves:
So I tried again. ALAS!
So I made my merry way across the road and across the river, muttering under my breath how much the quality assurance of modern technology drives me insane, and went up to the box office, which – being Saturday – was open.
I explained the situation to one of the box office folk who had a look at the booking and presumably having given my name was able to confirm the seat. Only he had to handwrite it for me:
Now, two things happened here. The first was that the ticket I had ordered for The Shape of Water had a seat reservation. What you see above is NOT the seat I had reserved. Had I paid for the premium seating, I would have flipped my lid. The seat I ended up with wasn’t brilliant, but perfectly adequate.
Cinema escapades aside for the moment, The Shape of Water by Guillermo Del Toro is everything that people say it is. It’s a stunningly beautiful love story that just happens to feature what is presumably the Creature from The Black Lagoon. Sally Hawkins as the mute Elisa is nothing short of extraordinary – conveying her emotions physically and communicating entirely in sign. Doug Jones as the Creature is otherworldly, yet is still capable of great kindness and compassion to those who are not out to kill him.
(Be warned, cat fans, as there is one unsettling scene which is really a bit of a misunderstanding (though the poor cat which is at the receiving end of said misunderstanding would hardly say that was the case.))
The film is brutal, romantic, lovely and surreal across the 2 hours it plays for. It’s an adult fairytale and Del Toro took risks making it (including turning down the sequel to Pacific Rim amongst other projects). But it pays back in spades. It is well deserving of the BAFTA awards it has picked up (Soundtrack, Production Design and Director), and well worthy of picking up even more at the forthcoming Oscars.
So, after a stonking good two hours of fishy romance, I pretty much went straight into Black Panther. I took my seat and waited.
Odeon double booked the seat. Whatever happened at the Box Office didn’t properly reserve the seat, and whatever happened with the web app also failed to reserve the seat. So I went back to the Box Office and explained what happened. Thankfully seating was still available, and decent seating at that, so it was all booked without any fuss and I was able to go back into the cinema to enjoy the film.
Black Panther, it must be said, is perhaps Marvel’s best ever effort at making a superhero movie. Not only does it feature decent character building of the good guys, but gives the main villain a decent background from which you can actually understand where he’s coming from.
The story centres around the kingdom of Wakanda, a central African nation that is technically superior to any other on Earth thanks to a mineral called vibranium which fell to Earth from a meteorite millions of years ago. It leads to the people of the region to embrace its properties, which, thanks to the enrichment of the soil due to the mineral, grows a particular plant which if imbibed, gives the person superhuman strength. Thus Wakanda was born, and of the 5 tribes, 4 yielded to the Wakandans and were given protection and access to the vibranium, with the fifth deciding to go their own way and live up in the mountains alone. The subsequent rulers of Wakanda have become the Black Panther – a protector and warrior. However, Wakanda remains hidden from the rest of the world. To us, Wakanda remains a poor country – though in all its history, refused any aid. While Wakanda’s neighbours were colonised and taken as slaves, Wakanda did not intervene – they stayed hidden.
Fast forward to modern times, and events after Avengers: Age of Ultron. King T’Chaka is dead, and his son, T’Challa is to become king of Wakanda. Meanwhile, a South African arms dealer (played by Andy Serkis) has just stolen a weapon from the British Museum, unbeknownst that it is made from vibranium (and hence originates from Wakanda). Along with the South African, an American (Michael B. Jordon) shows a keen interest in the weapon and its origins…
And so begins a well-paced movie that explores multiple themes. One of which is belonging, and another being whether Wakanda should share its technology with the rest of the world. The result of the secrecy is one of the reasons behind the American finding Wakanda and, well, it becomes a feud of epic proportions.
The film features a gadget sequence that would be Q to shame. T’Challa’s sister, Shuri (played magnificently by Letitia Wright), would put Tony Stark to shame. At point in the film when Martin Freeman’s CIA agent, Everett Ross, awakens in her laboratory, she greets him with, “Hello, coloniser”. We can pretty much assume not many western white people have been this way..
The women of Black Panther are fierce as heck. Special mention must be made of Okoye, played by The Walking Dead’s Danai Gurira, who is the general of the Dora Milaje, the elite (female) bodyguards that protect the royal family. She wields a very pointy and shiny spear which she uses to great effect. No more so than the casino sequence in which hits, stabs and throws people about like rag dolls.
The entire film is absolutely wonderful. The Afrofuturism is well done, and most importantly, believable. I’m about to start reading Nnedi Okorafor’s Binti series, about a young Himba woman who is the first of her people to be accepted into a prestigious galactic university. If Neil Gaiman loved it, I’m sure I will to.
But getting back to Black Panther – this is definitely the best Marvel film to date, and long may we see sequels. We’ll be heading back to Wakanda for quite a spell in the forthcoming Avengers: Infinity War, so it’ll be nice to see some familiar faces.
Set-up was extremely easy – just plug it into the mains and then hold your iPhone (it must be an iOS device – forget buying one of these if you’re not heavily tied into the Apple iOS ecosystem) near the speaker. Set-up begins on your iPhone and ends when Siri fires up and prompts you to try her out.
The biggest weakness of this speaker aside from no physical inputs or outputs, plus no Bluetooth support? Siri. It has yet to get any of my requests of songs or playlists right (I’m an Apple Music subscriber – albeit using the 6 months free subscription with EE at the moment – I’ll have to start paying again in April) – but I can AirPlay stuff directly from the phone without any bother.
However, what Siri can do is interact with my Philips Hue lights far more quickly via Apple’s HomeKit than Amazon’s Alexa ever could. I have been extremely impressed with HomeKit’s performance on iOS and Siri so far. While HomeKit support is still fairly limited within the “smart” devices industry – for example, British Gas’ Hive could REALLY benefit from such support – it does mean that for many devices would have to be refreshed in order support a specific chipset that HomeKit requires. So we may not see Hive support for quite some time.
If you’re curious to know what’s going on inside the HomePod, this iFixit teardown will show you that it’s next to impossible for the average consumer to fix.
It’s funny how the music industry has changed over the past few decades. When I was a kid growing up in North East London, I was over the moon with the hand-me-down Amstrad tower system which compromised of a turntable, an FM/AM radio/tuner, dual deck tape deck (Amstrad was famous for this). I didn’t even have a CD player for quite some time.
Now we tend to subscribe (monthly or annually) to music services rather than paying for individual tracks or albums, listen on mobile phones or computers, or stream music to speakers. While many people who take music seriously will still have an amplifier with built-in equaliser (another thing that the HomePod does away with – it’ll automatically “equalise” the music for you), a great many people will still be using these smart speakers in place of a traditional hi-fi set-up.
I’ve been a big fan of Apple’s audio products over the years. I started off with a 3rd generation click wheel iPod and have made my way up to the iPhone X. I’ve also bought three types of Beats headphones – the Beats Solo 3 wireless, the Beats EP and the granddaddy of them all, the Beats Studio 3 wireless – and perhaps my favourite of all – the AirPods. None of these is cheap, and none are the absolute best in class, but I’ve always found a use for them (the Studio 3 wireless is ideal when the neighbours are doing late evening DIY, the Solo 3 for general computing use, the AirPods for daily commuting, and the EP for anything else (I originally bought it in Edinburgh when the Solo 3 unit suffered a charging problem and I had to send it to Apple for repair).
I finally went to see Star Wars: The Last Jedi this week after waiting it out and trying very hard to avoid internet spoilers. My patience was rewarded (of sorts) as I went to see it outside of peak hours at the local Guildford Odeon.
Using my Odeon Limitless pass to book the showing was one of the most difficult things I’ve experienced so far during the time I’ve had the subscription. I wanted to go to an earlier showing, but for some reason, the Odeon’s website was playing up. I wasn’t able to book the same slot again, or the later slot. For some reason, Odeon’s website locked off all uses of the Limitless cad and refused to let me use it.
As the Odeon is now very heavily reliant on the website for bookings, the availability of customer service via telephone is rather limited (9am – 4pm Monday – Thursday, 9am – 5pm Friday at all other times). I was booking this on Friday evening.
What really got my goat was that Odeon does not publish email addresses. Internet standards are ignored – an email to [email protected] bounced. This is extremely bad practice, Odeon. Let me, as a customer, choose how to contact you. Web forms aren’t always appropriate.
I had to wait until the following morning to call and try and sort this out – and even then, not much could be done. The system enabled me to book for the later Monday performance, but there wasn’t confirmation that credit I used from an Odeon Gift card to upgrade seating would be refunded immediately.
I popped along to the Odeon on Monday and found this:
As I didn’t use a debit or credit card for this booking, I usually pick up tickets at the Box Office. So I had to go to the confectionary counter to figure out what was going on. I was told that the ATM machines can dispense tickets with a booking reference, but it’s not entirely obvious from the choices on display:
Perhaps Odeon needs to reword that third option – just say that if you have a booking reference, you can pick up tickets using that rather than implying it may only be for Tesco and Business Voucher holders.
The third complaint was that it appears Odeon do not sell Butterkist Toffee Popcorn. I’m not a fan of the sweet or regular flavoured stuff served in buckets the size of my head. In the end, I chose Aero mint balls and the smallest Coke Zero at the extortionate price of £6.68. I’ll pay it, however, because I do like the Odeon and would still like to see cinemas remain in business. But if I had a family, kids and all, this would definitely bankrupt me if we visited regularly.
As for the film? It was alright. I think the sooner the main franchise moves away from the Skywalkers, the better.