Digital video: renting vs buying, and why Apple is best for buying

With news that iTunes’ share of video sales and rentals are falling against competitors such as Amazon (Prime) Video and other services, I’d like to take a moment to reflect on why iTunes is the better platform for buying movies digitally, despite my brain screaming at me, “Look what happened to the digital BBC Store.”

iTunes offers iTunes Extras of which an increasing number of titles are including the same features as physical media.  Audio commentaries are regularly included, for example.  No other service offers this.

iTunes has one of the best device allowances of any service – and this includes the ability to download the content to a Mac, Windows PC, iPad and/or iPhone.

The UI of iTunes is much better than that of the competitors.  The Apple TV, not so much, but still considerably better than most.  Therefore it’s easier to manage existing titles.  And in all the years I’ve been buying movies from iTunes, I’ve never lost a single title due to film studios deciding to withdraw from the platform.  This could change, of course, but I’m sure if that happened, consumers would be lining up to lynch whoever decided it was a good idea to do so.

In terms of renting, Amazon (Prime) Video very narrowly outshines iTunes. There’s almost always a promotion which allows me to pay far less for renting an HD title via Amazon (Prime) Video than iTunes.  For example, I’ve just rented Hidden Figures (*superb* film) and T2: Trainspotting (also very good) – both in HD – £2.49 for both titles.  Amazon Video is baked into my LG television, making it very easy to access.

Don’t get me started on the UltraViolet digital platform.  It’s a completely useless pile of sputum devised by the film studios to make them look kind and generous by providing a non-physical digital copy of a film.  The truth is that it’s a massive pain in the arse to manage and I don’t bother with it anymore.   TalkTalk’s app (TalkTalk having bought Blinkbox which in turn is an UltraViolet partner) for LG televisions is awful.  I accept that one has to log in again occasionally, but the process is just stupid.  Look at what Google is doing for logging in to YouTube – much, much easier for televisions.  Entering a password via a remote control is the epitome of piss-poor user interface design.  But TalkTalk isn’t the only one guilty of this crime (NOW TV, Amazon, and even Netflix are guilty – but their TV apps allow for significantly long log in times).

BTW, I also hate the Amazon Prime Video UI too – it makes discovery difficult and it seems so random that I rarely watch anything on the service other than the really big TV productions.  I watched the German comedy, Toni Erdmann the other day (very, very funny – especially the nude party scene), but I had to manually enable the subtitles (found under CC for closed captioning – usually referencing subtitles for the hard of hearing – in my case, hard of not knowing enough German to understand the film without English subtitles).

The only other service I’ve purchased films from is Google Play.  I can watch the films on a tablet, my phone and even my TV through the YouTube app.  But those titles are generally either freebies or were heavily discounted.

Otherwise, I’ll be sticking with iTunes for future film purchases.  The next one, in fact, will probably be Hidden Figures because it was just such a great film, and there’s an audio commentary included in iTunes Extras which should give the film even more value.

iPad Pro 10.5″ is getting closer to replacing your computer

I am a big fan of Apple’s tablet range, and having owned the previous generation 12.9″ iPad Pro and the 9.7″ iPad Pro, they were pretty decent beasts.  But they were not enough to replace my laptop.

A year and a bit on since the 12.9″ iPad Pro was launched, Apple have jazzed up the the iPad Pro range with a new 12.9″ model, and a brand new 10.5″ model replacing the 9.7″.

I have just replaced the 9.7″ with the 10.5″ model which now comes with a staggering 512Gb of storage.  I’ve already filled it with 200Gb of TV shows (ready for my upcoming cruise).  The A10X Fusion chip that’s driving the new 10.5″ and 12.9 iPad Pro is nothing short of remarkable.  The benchmarks alone put this thing up into the MacBook Pro processing range for some tests.

But what’s particularly special about the new 10.5″ and 12.9″ iPad Pros is the display.  The ProMotion 120Hz refresh rate is nothing short of a revolution in tablet display tech.  Heck, even most modern monitors can’t achieve this level – not unless you go for specialist gaming or creative monitors costing many hundreds of pounds.  “Smooth as butter” is probably the aptest description I can give to anything utilising 120Hz refresh.  Swiping between pages or scrolling up and down in Empire Magazine’s app gives you a whole new experience of reading material on this device.  The Times and Sunday Times electronic newspapers are similarly impressive when scrolling through articles or swiping through pages.  The additional inch of screen real estate also makes reading electronic comics much easier too.  And the whole thing – especially as Apple no longer provide back covers for the iPad Pros – feels lighter than the previous gen. It feels very comfortable in one hand.

The 120Hz ProMotion feature also comes into play if you’re drawing or writing with the Apple Pencil.  Latency has been reduced to 20ms, and it’s as close to instantaneous response as you’re going to get (well, until the next generation of ProMotion at least).  I can provide a better signature with this thing.  Writing on the iPad Pro with an Apple Pencil is a much better experience.

The only thing I would mention is that everything feels a little too big when it comes to icon arrangements on the home screen.  I’ve made the text smaller, but there’s still a lot more space between the icons.  I’d like a feature like the iPhone Plus 7 where I can condense the space a bit more.  Similarly, the smaller font I’ve selected makes the tablet font rendering in some apps look a bit odd.  At times it feels like I’m using .. da da daaaa .. Android.  So I think Apple has got to do a bit more work smoothing out font rendering a bit more.  That said, this problem may go away in iOS 11 – an OS that will take iPads to a whole new level (seriously, this WILL make the tablet looks and feel like a proper computer from what I saw during the live WWDC video stream) .

(Note: the 10.5″ Ipad Pro’s display is a little too large to read novels, so I’ll always carry my e-Ink Kindle with me, but it’s ideal for reference material.  As I have taken advantage of a few Humble Bundle reference books over the past couple of years, I have quite a few O’Reilly and other technical books which render fantastically well on this device under iBooks)

So to the naysayers that thought the iPad had run out of steam.  Oh no.  No, no, no.  Apple have only just started.  I am delighted with the 10.5″ iPad Pro.  The storage space, the display, the lightness, AND with the leather pouch (ooer-missus), to protect both the device and the Apple Pencil will ensure that it’ll be a brilliant second computer to carry around with me – and will be used daily.

BBC’s digital store to close in November

My biggest fear with buying digital only copies of films and television shows is if the provider goes away – whether it’s due to bankruptcy, change of direction – whatever.  As I’ve been sticking with the iTunes ecosystem for the majority of the time, I trust Apple to do the right thing and ensure I am able to download and watch my movies regardless of whatever happens to the movie or TV studio that supplied them with the content.  So far so good.

But, alas, the poor old BBC has announced that it’ll be shutting down its all digital BBC Store from 1st November 2017.  I’ve used BBC Store a number of times over the past 18 months, amassing a few titles here and there.  It was relatively cheap, and they often had many titles on sale.  My biggest complaint with the BBC Store, however, is actually watching the titles on my TV.  What a pain in the arse that was.  The BBC iPlayer baked into my LG TV, Apple TV, plus the games consoles I used to have, never supported BBC Store titles.  And there was no native BBC Store app for them either.  Thus I had to buy a Google Chromecast to be able to cast the content from my mobile phone to it.  No problem watching the content on my phone or tablet, but it’s not ideal – and this is why I think the BBC has failed – it felt as if it didn’t put enough resources into developing the BBC iPlayer integration or BBC Store apps across multiple platforms.

(Ironically, as the mega corporate AT&T is set to buy Time Warner, Inc. and take over HBO – AT&T’s boss has been semi-joking that he wants to provide 20 minute mobile friendly episodes of Game of Thrones – this sort of thing horrifies me – I’m all about choice, but the important thing is that television is television and should be viewed as (and on) such)

Another problem with BBC Store is that many of BBC’s titles are available on the likes of Netflix and Amazon Prime.  The BBC has said that it wasn’t able to compete with these services, but I still say they just did not put enough effort or resources into making the content available across platforms as easily as Netflix or Amazon Prime (which, BTW, should be coming to Apple TV next month if rumours are true).

Ultimately it’s a slap in the face for digital TV and movie consumption.  But I also ask: is TV and film going the same way as music?  Do people actually prefer to pay a monthly subscription fee to consume as much content as possible, rather than simply buy a title outright?   While the BBC is refunding those of us for the content we’ve paid for (plus, very ironically, a £20 Amazon voucher for similar digital content), it doesn’t make it easy for us to be able to repurchase the content elsewhere.  With content providers bemoaning that piracy is ruining the entertainment industry – it forgets very easily that if more effort was made to make the content available quickly and cheaply, and across as many platforms as possible, their rhetoric might be a bit more believable!

You don’t need ransomware to make me WannaCry about Windows..

Windows Servers.  What a load of old tosh.  The past three weeks or so have seen me tinkering unnecessarily with the blasted things because of Microsoft’s inability to write an operating system which is so super sensitive to hardware changes – principally because of licensing – that just by upgrading underlying virtualisation software triggers the operating system to think it has a new network card.  You can imagine the chaos something like that can cause!

It’s not just that which makes me despise Windows Server.  For similar reasons, if a dedicated server chassis dies and needs to be swapped out – you’d better have a spare because any hardware changes will cause Windows to freak out.  Linux has no problem with such things providing you’re using a modern distribution and reasonably up to date hardware.  Generally speaking, with maybe a very few exceptions, Linux Just Works(tm).

Don’t get me started on those people that are still running the now 15 year old Windows 2003.. (though this article about Fasthosts running Windows 2003 for their backup platform made me laugh a lot more than it should – and bury my hands in my face for leaving an obsolete OS in charge of managing critical customer backups).

The whole WCry situation around these parts has been, strangely, pretty good – indeed, a lot more people have taken an interest in their backups and patching their systems and this is only to be commended.  A good old major outbreak tends to kick people in the teeth and get them thinking about disaster recovery.

Just because I use MacOS and Linux isn’t making me complacent – oh no.  Very recently Apple just released updates to iOS, MacOS and WatchOS to fix a rather nasty exploit, as well as general performance updates.  It’s one of the reasons I went back to iOS – Apple has become very good at rolling out updates much faster and on schedule than the likes of Samsung.

The server on which this blog runs on utilises something called KernelCare which patches the kernel in real time for newly discovered exploits.  This has the advantage of:

  1. Not having to wait for the OS vendor to release a patch.
  2. You don’t have to reboot the machine.

In my testing of KernelCare, it has worked very well.  If you’re using it in a VPS, it must support full virtualisation – paravirtualisation won’t cut it.

Meanwhile, Microsoft should stick to producing office productivity software and gaming (Xbox One) – it’s what they’re good at.  I’ve completely lost faith in their desktop and server operating system divisions.

Guardians of the Galaxy S8+ Vol. 2

Unfortunately, while I have genuinely liked the Galaxy S8+, I’m swapping it back for the iPhone 7 Plus.  The biggest issue I’ve found with the S8+ was the lack of Android Pay support in some apps which somehow worked with the OnePlus 3T (Starbucks, IIRC) and the Arriva Bus Ticket app keeps crashing with alarming regularity – and at the most inconvenient times.  Never happened with the OnePlus 3T.  Plus the size of the phone means that many apps can’t take full advantage of the screen size.  Yes, in time, this will change – especially as the LG 6 shares the same aspect ratio.  We’re going to see a lot more phones adapt this kind of size/ratio in the future.

So why not just stick with the OnePlus 3T?  Well, I think it’s a very fine phone, but the battery life just isn’t great.  It ran out of juice on one of my trips out of Edinburgh and I rely fairly heavily on the likes of Google Maps to get me around. It’s good enough for a backup phone, but I can’t say it’d be very good for a daily driver.  Especially if one is doing on-call.  And that reminds me – the Galaxy S8+ speaker isn’t that great – and I found myself missing on-call alerts.

So Apple it is.  I can’t say I shall be trying this again – two years in a trot with Android and Every. Single. Time. I come back to IOS.  That either says something about the strength Apple’s ecosystem, or how well iOS has been designed.  I don’t know.  Much of it is down to marketing, and to be fair to Samsung, they pulled off a very good campaign.  But has not been helped by the lack of the Gear 360 or the VR headset at the time of the S8’s launch either.

By heading back to iOS, I regain the ability to use iMessage again.  Many friends and family have this – and it’s particularly useful for those abroad.  Getting everybody on WhatsApp has been difficult.  I have other contacts on Skype.  So it’s all a bit fragmented.  Also Wi-Fi Calling.  The S8+ is not compatible with Three’s Wi-Fi Calling service at this time, so there’s that too.

There is a part of me that desperately wants to love and use Android full time, but there are too many inconsistencies.  Both in rolling out security updates (the Galaxy S8+ is still on April security updates), features (S8+ on version 7, the OnePlus 3T is on 7.1.1), and app performance.  iOS fixes many of these issues, and thus after the great swaparoos of 2016 and 2017, I declare iOS as the recommended mobile platform.

Now, I had a bet with somebody about all this, and I owe them a crate of Budweiser beer…